Fiction

• “The Night the Stars Fell.” One Story, 289, 2022.
• “Essentials.” SLICE, 27, 2022.
• “Paul Bunyan’s Résumé.” The Minnesota Review, 98, 2022.
• “This Picture of Your House.” Litmosphere, 2022.
• “A Tiger Someday.” Southern Humanities Review, 2022.
• “The Face.” The Rupture, 117, 2022.
• “Rats and Cats and Snakes.” Necessary Fiction, 2022.
• “A Nesting.” Micro Podcast, 2021.
• “A Sky So Sharp.” The Fiddlehead, 285, 2020.
• “Smoke at the End of the World.” DIAGRAM, 20.4, 2020.
• “Orville Killen: Lifetime Stats.” Alaska Quarterly Review, 37.1, 2020.
• “Pike’s Deathbed Blazes on.” The Boiler, 2020.
  
• “One Fist Holding.” Okay Donkey, 2020.
• “Such a Good Man.” Redivider, 17.1, 2019. Winner of the Beacon Street Prize.
• “John Henry’s Résumé.” Another Chicago Magazine, 2020.
• “Kill Your Music.” Faultline, 29, 2020.
• “The Ouija Board Inspector.” The Forge Literary Magazine, 2020.
• “Eat Fire.” BULL: Men’s Fiction, 2019.
• “The First Woman.” The South Carolina Review, 52.2, 2020.
• “The Magician’s Secret.” Juked, 2019.
• “Red Shoe Twitch.” Yalobusha Review, 29, 2019.
• “Tidying Up.” Wigleaf, 2019.
• “A Sick Child.” The Masters Review, 2019.
• “Dad Died in Denim.” Puerto del Sol, 54.1, 2019.
• “The Life Net.” Moon City Review, 2019.
• “The Taking Away,” Isthmus, 8, 2019.
• “The Christmas Clown.” Chiron Review, 114, 2018.
• “Bruise Room.” Cold Mountain Review, 2018.
• “In Darkness Floating” in The Journal, 2018.
• “Still Life” in Atticus Review, 2018.
• “The Whites” in CRAFT, 2018.
• “A Nesting” in Wigleaf, 2018.
• “Go to Oso” in The Adroit Journal, 2018.
• “A Tomb Dug Under Mother” in Bayou, 2018.
• “Work at Home” in Jabberwock Review, 2018.
• “When We” in Necessary Fiction, 2017.
• “Snake in a Can” in Baltimore Review, 2017.
• “Father at Shift End.” Bateau, 7.1, 2017.
• “My Pupil, Dive Site” and “Long Division.” Gargoyle, 66, 2017.
• “A Realistic Airplane.” The Saturday Evening Post, 2017.
• “Scraps on Fire.” Washington Square Review, 39 (2017).
• “In This Room I Make Red.” Witness, 30.1, 2017.
• “Interstate Intestine.” New South, 2017.
• “Seven-Eighths.” Psychopomp Magazine, 2017.
• “Elvira Is an Asshole.” Flyway, 2016.
• “Postal Heterochromia.” New South, 2015.
• “Teddy Shoots.” New Madrid, 10.2, 2015.
• “Silence in Forty-Two.” Smokelong Quarterly, 48, 2015.
• “Conch Tongue.” Cimarron Review, 191, 2015.
• “Father’s Knots.” Columbia Journal, 2015.
• “One Hundred-Knuckled Fist.” Juked, 12, 2015.
• “Pitch.” Pleiades, 35.2, 2015.
• “Father Eats.” Bat City Review, 11, 2015.
• “Of the Last Sight of Sir John Mandeville.” Crossborder, 3.1, 2015.
• “Touching in Texas.” The Threepenny Review, 141, 2015.
• “Ice Cream Dream.” MAKE Magazine, 15, 2014.
• “The Salesmen Approach.” The Journal, 38.2 (2014).
• “Everything a Snake Needs.” Quarter After Eight, 20, 2014.
• “Workmen’s Compensation.” Fourteen Hills: The SFSU Review, 20.1, 2014.
• “Sawdust and Glue.” Sou’wester, 42.1, 2013.
• “Almost Touching, Almost Free.” The Masters Review, 1, 2013.
• “No Good for Digging.” Green Mountains Review, 2013.
• “One More for You.” Yemassee, 20.1, 2013.
• “Home Through a Rat Hole.” Fifth Wednesday Review, 12, 2013.
• “Grandpa Dies.” Quarterly West, 76, 2012.
• “The Fire Chasers.” Blue Mesa Review, 25, 2012.
• “Building Walls.” Puerto del Sol, 47.1, 2012.
• “Can-Picking,” Phoebe, 2012.
• “Avoiding Accident in the Subdivisions,” Witness, 25.1, 2012.
• “The Plumber who Found Treasure.” Hobart, 2011.
• “Strong as Paper Men.” Copper Nickel, 15, 2011.
• “Lysol Fights.” Indiana Review, 33.1, 2011.
• “Self-Destruct.” Southeast Review, 29.1, 2011.
• “Mr. James K. Polk, Please Hold My Windbreaker.” Cream City Review, 35.1, 2011.
• “Pushing the Knives.” On the Clock: A Book of Post-Industrial Fiction. Bottom Dog Press, 2010.
• “Scratch.” Palooka, 1, 2010.
• “Zombies! Rodemom!” Gargoyle Magazine, 56, 2010.
• “Pushing the Knives.” Black Warrior Review, 35.2, 2009.

Creative Nonfiction

• “A Better Trap.” Barely South Review, 11.1, 2019.
• “Mario Reconsiders a Profession in Plumbing.” Booth, 2018.
• “My Dog Is a Good Dog.” Potomac Review, 59, 2016.
• “Ripped Red Stitches.” Hobart, 2016.
• “The Mouth Full of Flying.” Barely South Review, 7.3, 2015.